8 thoughts on “ Brouillards - Debussy*, Friedrich Gulda - Préludes Book I & II (CD) ”

1. In addition, perhaps because Debussy's style is so prone to mannerism, several of the Préludes in Book II bear strong similarities to those from the earlier set. 1. Brouillards (Mists): Quietly teeming, delicate, and atmospheric, the texture is dominated by sweeping arpeggios that require a high degree of control on the part of the pianist.

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2. Wenn ein so außergewöhnlicher Künstler wie der österreichische Pianist Friedrich Gulda mit seinen fabelhaften Mozart-Interpretationen sich außer Landes, nach Frankreich, begibt und sich einem Komponisten wie dem Impressionisten Debussy zuwendet, so kann man Außergewöhnliches erwarten/5(6).

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3. Debussy: 24 Préludes | Friedrich Gulda to stream in hi-fi, or to download in True CD Quality on tripperrighlonliful.quiwheewablidedansperagdolitagi.infoinfo Friedrich Gulda, Performer - Claude Debussy, Composer. MPS/Edel Germany GmbH. 2. II. Voiles Préludes, Book 2, L. (Claude Debussy) I. Brouillards. .

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4. Buy Great Pianists of the 20th Century - Friedrich Gulda, Vol.1 by Debussy, Claude, Ravel, Maurice, Gulda, Friedrich from Amazon's Classical Music Store. 5/5(1).

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5. Info for Debussy: 24 Préludes (Remastered). The 24 Préludes represent what must be the best known cycle of pieces by the Impressionist composer Claude Debussy. The compositions are alive with magic, poetry and depiction in sound.

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6. This is the first of four releases that feature the SWR recordings of Friedrich Gulda. All recordings on this album are being released here for the first time. The recording of the "Inner Circle" on album 7 is to date the only one of Guldas jazz ensemble.

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7. English: Debussy: Préludes, Book 2: I. Brouillards, Giorgi Latsabidze piano Date: 20 December Source: Own work: Author: Giorgi Latsabidze: Permission (Reusing.

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8. Apr 04,  · DEBUSSY: 24 Préludes / Friedrich Gulda, pn / MPS MSW My Debussy Prélude collection contains some marvelous performances by great pianists: Cortot, Padewerski, Debussy himself, Gieseking (all of Book I) and Korstick (all of Book II), but since I knew that Friedrich Gulda was a great admirer of Alfred Cortot (he even sat in on one of his practice sessions), I was .

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